Here's my latest track. I have a pretty cool name for it: Track 29.
In this track, I use the 2nd synthesizer channel for a clap patch with variable volume. That's right, no bass line on this one.
The lead voice melody is quite minimalist as it employs just a very limited number of notes from the C major scale, the most popular scale in the history of music. Also, the rhythm is very monotonous, but that's on purpose, of course. At some point, toward the end, the lead patch is slightly changed and it kinda sounds like a tribute to New Order.
On a somber note, I am really starting to think that my songs have too many notes. Time to be even more minimalist, it seems.